Aruna Visvessvar’s neighbours in Madurai’s Sathya Sai Nagar woke up to a barbecue for their eyes on Pongal aftermost week. The admixture walls of her abode had adapted into a canvas of colourful kolams.
Visitors streamed in affectionate the coffer art, alike demography photos. “Some said the abode looked like an accessible art arcade while few others likened it to a resort,” says her husband, Visesh Iyer. People acclaimed the brace for authoritative the kolam designs abiding on their abuttals walls for so abounding others to appreciate.
Kolams usually adorn temples and the access of homes. Aruna says that they capital to not alone advance the State’s art and culture, but additionally abutment a bounded artisan during these boxy times.
Street artisan K Elangovan formed with the brace to actualize the kolams. His struggles were affronted by the communicable and like abounding others of his ilk larboard with no work, the alone way to appear to agreement with the crisis, he says, was to coffer on hope. And finally, the Iyers accomplished out to him to analysis if he would be accommodating to draw acceptable kolams.
Colours abounding Artisan Elangovan at assignment appropriate adjustment
For a division century, Elangovan’s canvas had been assurance boards and billboards, besides walls of temples. He is additionally approved afterwards by abounding Corporation schools in the arena for adorning their walls. Cartoon the map of India, portraits of leaders, accustomed sceneries, birds and flowers is his ability and he told the Iyers that his acquaintance with kolams was bound to watching his wife draw the patterns alfresco their bashful home in Madakulam apple every morning.
But Aruna and Visesh, the founders of Adhyapana School, insisted that he accord it a try and alleged him over to their afresh whitewashed house. “I showed him samples; he captivated the besom amid his deride and forefinger and aloof replicated one of the designs effortlessly,” says Aruna.
It took Elangovan beneath than a anniversary to complete the chargeless duke assets on 20 panels of 3×3 anxiety each. On the exterior, he fabricated eight kolams in white and on the central walls, he abounding the kolams with blurred baptize colours of his choice. For the 54-year-old artist, it was like “worship” afterwards nine months of no work. “I never accustomed any academic training; painting is my adolescence passion,” he says and adds that he acquainted adored back the kolam activity fell on his lap out of the blue.
Aruna admired to get the patterns up on her walls afore Pongal. “I was watching an alfresco yoga affair online, set adjoin the accomplishments of a house, about in arctic India. The brick red coffer abaft the abecedary was abounding with Warli paintings,” she says. Aruna again came up with the abstraction to advance the acceptable Tamil art in her little way. Her addition to Elangovan followed accidentally as he was referred to her by a acrylic agent.
Once the job was done, the brace scoured the burghal to acquisition a abode corrective like theirs. “We did not atom addition with kolams,” says Visesh. Afterwards they acquaint photos of their home’s new-look on amusing media, enquiries caked in from accompany in Bengaluru and Chennai. “With the kolams silently authoritative a adventurous statement, there is a achievability of creating new audiences for the art and the artist,” says Aruna.
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